1914 BILLY MURRAY Ada Jones He's a Devil in his own home town Old Ireland Here

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A series of great Dixie, Southern and Coon recordings:
Great Early BILLY MURRAY and Ada Jones
A –Billy Murray He's A Devil In His Own Home Town
Written-By – Grant Clarke, Irving Berlin
B –Ada Jones If They'd Only Move Old Ireland Over Here
Written-By – Gillen*, Kelly*, Klein*
Anmerkungen
Side A: (Comic Song with orchestra); recorded April 30, 1914
Side B: (Irish Song with orchestra) Blanche Ring's Hit in "When Claudia Smiles"; recorded February 27, 1914
1914
Performer Billy Murray
Title He's a devil in his own home town
Lyrictext
I've got an uncle by the name of Jerry
He's got a farm, a great big farm
Two thousand acres of the very, very
Best land in the whole United States
He's got a reputation in the village
Known as a dude, a gosh darn dude
He would never do in New York City
But in his home town
He's a devil, he's a devil
He's a devil in his own home town
On the level, on the level
He's as funny as a clown
He spends a five cent piece, thinks nothing of it
His pants all creased, red vest above it
And when it comes to women, oh! oh! oh! oh!
He's a devil, he's a devil
Telling stories in a groc'ry store
On the level, on the level
Has 'em rolling on the floor
Down at the fair with all the other heckers
He received first prize for playing checkers
And he cheated
Can you beat it?
He's a devil in his own home town
He's got an overcoat that's fine and furry
Gold-headed cane that came from Spain
They've even got him saying "I should worry"
Just like all the sporty city folks
You ought to see the way he spends his money
He bought a box of hole-proof socks
They would never do for New York City
But in his home town
He's a devil, he's a devil
He's a devil in his own home town
On the level, on the level
He's as funny as a clown
He spends a five cent piece, thinks nothing of it
His pants all creased, red vest above it
And when it comes to women, oh! oh! oh! oh!
He's a devil, he's a devil
Telling stories in a groc'ry store
On the level, on the level
Has 'em rolling on the floor
Down at the fair with all the other heckers
He received first prize for playing checkers
And he cheated
Can you beat it?
He's a devil in his own home town
10" acoustic 78 rpm record
Condition:
VERY GOOD PLUS/ VG++ rubs
plays VG++ very quiet swishy hiss during intro
Billy Murray newspaper ad from 1919
William Thomas "Billy" Murray (25 May 1877 - 17 August 1954) was one of the most popular singers in the United States in the early decades of the 20th century. While he received star billings on Vaudeville, he was best known for his prolific work in the recording studio, making records for almost every record label of the era. He was probably the best selling recording artist of the first quarter of the 20th century.
He was born in Philadelphia, Pennsylvania, the son of immigrants from Ireland. He became fascinated with the theater and joined a traveling vaudeville troupe in 1893. He also performed in minstrel shows early in his career. He made his first recordings for a local phonograph cylinder company in San Francisco, California in 1897. He started recording regularly in the New York City and New Jersey area in 1903, when the nation's major record companies as well as the Tin Pan Alley music industry were concentrated there.
In 1906 he waxed the first of his popular duets with Ada Jones. He also performed with Aileen Stanley, the Haydn Quartet, and the American Quartet (also known as the Premier Quartet), in addition to his solo work.
He had a strong tenor voice with excellent enunciation and a more conversational delivery than common with bel canto singers of the era. On comic songs he often deliberately sang slightly flat, which he felt helped the comic effect.
While he often performed romantic numbers and ballads which sold well at the time, his comedy and novelty song recordings continue to be popular with later generations of record collectors.
Murray's popularity faded with changes in public taste and recording technology; the rise of the electric microphone in the mid 1920s coincided with the rise of the crooners. His "hammering" style, as he called it, essentially yelling the song into the recording horn, did not work in the electronic era, and it took him some time to learn how to soften his voice. While he continued to work, his singing style was considered "dated" and less in demand. In the late 1920s and early 1930s he also did voices for animated cartoons, especially the "follow the bouncing ball" type which incorporated songs from his salad days. He also did radio work.
Murray made his last recordings in 1943 and retired to Freeport, Long Island, New York in 1944. He died in nearby Jones Beach.
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